Despite its relative brevity, Walter Benjamin’s essay “The Work of Art in the Age of Mechanical Reproduction,” continues to inspire significant scholarly attention as a major work in the history of modern aesthetic and political criticism. The essay is credited with developing an insightful interpretation of the role technological reproduction plays in shaping aesthetic experience; more specifically, . · Posted on September 7, by Carolyn A. McDonough. “The Work of Art on the Age of Mechanical Reproduction” by Walter Benjamin was published in , the inter war period. “Having experienced Fascism and the fascist use of media in Germany” [from Media Cultural Studies Keyworks ed. by Durham and Kellner] Benjamin speaks to the transformation of the Marxian superstructure . The Work of Art in the Age of Mechanical Reproduction Walter Benjamin () “Our fine arts were developed, their types and uses were established, in times very different from the present, by men whose power of action upon things was insignificant in comparison with ours.
"The Work of Art on the Age of Mechanical Reproduction" by Walter Benjamin was published in , the inter war period. "Having experienced Fascism and the fascist use of media in Germany" [from Media Cultural Studies Keyworks ed. by Durham and Kellner] Benjamin speaks to the transformation of the Marxian superstructure which he observed "has taken more than a half century to. "The technique of reproduction detaches the reproduced object from the domain of tradition. By making many reproductions it substitutes a plurality of copies. Summary of Walter Benjamin. Walter Benjamin was one of the most important thinkers of the 20 th century, having published a range of works on culture and society. But he is perhaps still best known for his ideas on art and authenticity; challenging, as he did, the assumption that the original artwork was more valuable to society than the photographic reproduction of that artwork.
In his essay, "The Work of Art In The Age of Mechanical Reproduction", Walter Benjamin talks about a move in perception and its effects in the wake of the advent of film and photography in the twentieth century. He additionally mentions Marx on the capitalist method of creation amid the technological revolution; that talks about what could be normal in the future of the industrialist generation, that is — the profiteering of the lower-class and the disintegration of capitalist enterprise. Summary of Walter Benjamin’s ‘The Work of Art in the Age of Mechanical Reproduction’. Walter Benjamin begins by stating that theses of developmental tendencies of “art of the proletariat” or “art of a classless society” have a bearing on the thesis of art in a capitalistic society. The theses of “the art of the proletariat”, according to Benjamin, does away with concepts like “creativity genius, eternal value and mystery concept” He further states that the works of. Walter Benjamin- The Work of Art in the Age of its Technological Reproducibility. Walter Benjamin wrote “The Work of Art in the Age of its Technological Reproducibility” during his years of exile in France from Nazi Germany. Benjamin was deeply affected by the extremely politically tumultuous situation in France.
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